Perhaps because of the fact that modern Greece is, through the Orthodox Church, inextricably linked with the Byzantine heritage, the precise meaning of this heritage, in its various aspects, has hitherto been surprisingly little discussed by scholars. This collection of specially commissioned essays aims to present an overview of some of the different, and often conflicting, tendencies manifested by modern Greek attitudes to Byzantium since the late eighteenth-century Enlightenment. The aim is to show just how formative views of Byzantium have been for modern Greek life and letters: for historiography and imaginative literature, on the one hand, and on the other, for language, law, and the definition of a culture. All Greek has been translated, and the volume is aimed at Byzantinists and Neohellenists alike.

The reign of Manuel I (1143-1180) marked the high point of the revival of the Byzantine empire under the Comnenian dynasty. It was however followed by a rapid decline, leading to the sack of Constantinople by the Fourth Crusade in 1204. This book, the first devoted to Manuel's reign for over 80 years, reevaluates the emperor and his milieu in the light of recent scholarship. It shows that his foreign policy was a natural response to the Western crusading movement and the expansionism of the German emperor Frederick Barbarossa. It also shows that what he ruled was more than the impoverished rump of a once great empire, or a society whose development had been arrested by a repressive regime. The twelfth century is presented here as a distinctive, creative phase in Byzantine history, when the empire maintained existing traditions and trends while adapting to a changing world.

The reign of Manuel I (1143-1180) marked the high point of the revival of the Byzantine empire under the Comnenian dynasty. It was, however, followed by a rapid decline, leading to the sack of Constantinople by the Fourth Crusade in 1204. This book, the first devoted to Manuel's reign for over eighty years, re-evaluates the emperor and his milieu in the light of recent scholarship. It shows that his foreign policy was a natural response to the western crusading movement and the expansionism of the German emperor Frederick Barbarossa. It also shows that what he ruled was more than the impoverished rump of a once great empire, or a society whose development had been arrested by a repressive regime. The twelfth century is presented here as a distinctive, creative phase in Byzantine history, when the empire maintained existing traditions and trends while adapting to a changing world.

"Imperial Geographies in Byzantine and Ottoman Space" opens new and insightful vistas on the nexus between empire and geography. The volume redirects attention from the Atlantic to the space of the eastern Mediterranean shaped by two empires of remarkable duration and territorial extent, the Byzantine and the Ottoman. The essays offer a diachronic and comparative account that spans the medieval and early modern periods and reaches into the nineteenth century. Methodologically rich, the essays combine historical, literary, and theoretical perspectives. Through texts as diverse as court records and chancery manuals, imperial treatises and fictional works, travel literature and theatrical adaptations, the essays explore ways in which the production of geographical knowledge supported imperial authority or revealed its precarious mastery of geography.

The way people see the past tells us much about their present interests and about their sense of identity. This book examines both what men of the day knew about their past, and in particular about the Roman Empire, and shows how such knowledge was used to authenticate claims and attitudes. These original essays, by distinguished scholars, are wide-ranging both geographically, from Russia to Iberia, and in scope, dealing with legal, ecclesiastical, noble and scholarly attitudes.

This volume contains selected papers from a 2006 symposium that complemented an exhibition of early Bible manuscripts at the Freer Gallery and Sackler Gallery of Art. The book considers the manifestations of the holy books in Byzantine manuscript illustration, architecture, and government, as well as in Jewish Bible translations.